COLOUR PLATES. POSTERSESSIONS 009

001. NON INVASIVE TECHNIQUES FOR IDENTIFICATION AND CHARACTERIZATION OF POLYMERS IN CONTEMPORARY ARTWORKS
BY COSTANZA CUCCI, MAURO BACCI, MARCELLO PICOLLO, ROBERTO OLMI

002. VOC ANALYSIS: A POTENTIAL TOOL FOR DECAY MONITORING
BY ELENA GÓMEZ-SÁNCHEZ, MINNA HAKKARAINEN, STEFAN SIMON, LARS-CHRISTIAN KOCH

003. THE VITREOUS RETOUCHING
BY EVA BRACHERT

004. ‘FIGURA N. 37’ BY ANTONIO BUENO:  A PLASTIC CONSERVATION CASE STUDY FROM THE MODERN ART GALLERY (GAM) OF TORINO, ITALY.
BY REBECCA PLOEGER, ROBERTA VERTERAMO,
 OSCAR CHIANTORE

005. ANTIAGING FOR CULTURAL HERITAGE OBJECTS CONTAINING ELASTOMERS
BY DIETMAR LINKE, RUTH KELLER, MAXIE TAFELSKI

006. PY-GC/MS FOR THE IDENTIFICATION OF MODERN SYNTHETIC MATERIALS USED FOR CONSERVATION IN CHINESE WALL PAINTINGS
BY SHUYA WEI, QUNXI ZHANG, MANFRED SCHREINER

007. A CASE STUDY: CONSOLIDATION AND RETOUCHING OF ALKYD PAINT ON AN INFLATABLE PVC-BAG FROM 1967
BY ELKE CWIERTNIA, BARBARA SOMMERMEYER, URSULA HALLER

008. TOWARDS A NEW METHODOLOGY OF CONSERVATION / RESTORATION OF ELECTRONIC MUSICAL INSTRUMENTS AND SOUND STRUCTURE
BY MARIE-ANNE LOEPER-ATTIA

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